Still using 'source sequence ' in PP, but replacing with 'exported result from Photoshop batch convert. Where I went with cDNG in PP was to use ACR and Photoshop 'batch convert', batch process' or similar wording.
So, AE to PP possible but problamic if updating versions. However, the AE method became problatic when PP updates and AE updates, and AE comps no longer iimport into PP without re-importing the AE comp into AE, updating, saving, re-importing into PP, replacing (more descriptive of 'replacing' is creating 'source sequence in PP of the cDNG clip, and replacing source'), The exact technique to follow the above is a bit tedious and I will not get into it (lots of threads could guide you there). Creating the composition in AE gives you ACR (adobe camera raw) and that usually gets you to the color you seek. I would always create an AE composition with a cDNG sequence and 'replace ' the PP sequence with the AE. If it still problamic, I wouldn't know, I never went that route (because never worked and lots of threads, bug reports, feature requests), The above stated workaround has been pronbmatic several years past.
DJI DMG CLEANER PRO
Same thing when using Import Adobe Premiere Pro Project in AE.' ' thought a workaround could be to edit in Premiere and then either use Replace With After Effects Composition or copy/paste the edits into AE and colorgrade it there, but when I do that, it only brings in the first DNG frame of the sequence. I paste Quote from first posted comment by Eyelight here. Same thing when using Import Adobe Premiere Pro Project in AE. I thought a workaround could be to edit in Premiere and then either use Replace With After Effects Composition or copy/paste the edits into AE and colorgrade it there, but when I do that, it only brings in the first DNG frame of the sequence. I've also tried disabling the CinemaDNG source settings effects that is automatically applied to the sequence at import - still didn't fix it. 15.1.2 - slight magenta tint in the whites but that's okay:
This is what the h.264 proxy files directly from the Micro SD card in the X5R looks like:Īnd here's what the imported DNG sequence looks like in After Effects CC2018 v. 12.12 - notice the t-shirt on the guy to the left is now blue and the trashcans in the background has a wierd deep blue tint:
DJI DMG CLEANER MAC
This is how it looks when previewing a DNG frame in Mac Finder (using spacebar):Īnd this is how it looks in Premiere Pro CC2018 v. I've tried searching for an answer but I haven't seen anyone with this specific problem - only issues with a flat pink/magenta look when importing. When I import a Cinema DNG sequence into premiere (Media Browser, double-click or drag-n-drop), captured on the DJI Zenmuse X5R camera on an Osmo, something happens to the whites and blues.
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